Menu
Skip to content
Home
ABOUT ME
LEVEL 1 – CONTEXT & NARRATIVE
C & N EXERCISES
C & N PART 1 EXERCISES
EYEWITNESSES?
EXERCISE – STREET PHOTOGRAPHY
SECTARIAN MURDER
Sarah Pickering – Public Order
EXERCISE – THE MANIPULATED IMAGE
“THE REAL AND THE DIGITAL”
C & N PART 2 EXERCISES
THE DAD PROJECT / COUNTRY DOCTOR
THE VISUAL DEPICTION OF A POEM
PHOTOGRAPHING THE UNSEEN – EXERCISE
C & N PART 3 EXERCISES
PART 3 PUTTING YOURSELF IN THE PICTURE – MY DIARY
AUTOBIOGRAPHICAL SELF-PORTRAITURE
MASQUERADES
EXERCISE – MASQUERADES
C & N PART 4 EXERCISES
C & N PART 5 EXERCISES
C & N ASSIGNMENTS
C & N LEARNING LOG
My thoughts on setting out on the Context and Narrative Course
THE CAMERA NEVER LIES!
In an Alien World
STREET PHOTOGRAPHY – SOME THOUGHTS
WAYS OF SEEING – JOHN BERGER
TO LEAVE OR NOT TO LEAVE – THAT IS THE QUESTION
TO LEAVE OR NOT – FURTHER THOUGHTS
MACRO PHOTOGRAPHY
RELAY IN CONTEMPORARY PHOTOGRAPHIC PRACTICE
POSTMODERN NARRATIVE
THIS PHOTOGRAPH IS MY PROOF
MY LAST POST
MY LAST POST REVISITED
CHANGING PERCEPTIONS
THE IMPORTANCE OF NARRATIVE AND PERSONAL CONNECTION IN PHOTOGRAPHY
MOVING ON AND OUT
C & N STUDY COURSES
MY IMAGES
WILDLIFE IMAGES
ANIMALS IN CAPTIVITY
PHOTOGRAPHERS THAT INSPIRE ME
WILD PEMBROKESHIRE – JANUARY 2018
ITEMS FOR SALE
TAoP EXERCISES
TAoP ASSIGNMENTS
TAOP LEARNING LOG
TAoP STUDY COURSES
THINGS TO REMEMBER
PHOTOGRAPHERS
INTRODUCTION – FOCUS
TAoP PART 1 EXERCISES
TAoP PART 2 EXERCISES
TAoP PART 3 EXERCISES
TAoP PART 4 EXERCISES
TAoP PART 5 EXERCISES
THE FRAME – FITTING THE FRAME TO THE SUBJECT
OBJECT IN DIFFERENT POSITIONS IN THE FRAME
THE FRAME – A SEQUENCE OF COMPOSITION
FOCAL LENGTHS
DIVIDING THE FRAME
FRAME SHAPES AND SIZES
THE FRAME – CROPPING
PART 2 – ELEMENTS OF DESIGN PROJECT – POINTS
PART 2 ELEMENTS OF DESIGN PROJECT – LINES
PART TWO. PROJECT – USING LINES IN COMPOSITION
PART 2 PROJECT – SHAPES
PART 2 PROJECT – RHYTHM AND PATTERN
PART 3 CONTROL THE STRENGTH OF A COLOUR
PART 4 LIGHT – JUDGING COLOUR TEMPERATURE PART 1
PART 4 LIGHT – JUDGING COLOUR TEMPERATURE PART 2
PART 3 – EXERCISE PRIMARY AND SECONDARY COLOURS
PART 3 EXERCISE – COLOUR RELATIONSHIPS
PART 3. EXERCISE – COLOURS INTO TONES IN BLACK & WHITE
PART 4 – LIGHT Measuring Exposure
PART 4 LIGHT – VARIETY WITH A LOW SUN
PART 4 LIGHT – EXERCISE CLOUDY WEATHER AND RAIN
PART 4 LIGHT – OUTDOORS AT NIGHT
PART 4 – LIGHT. EXERCISE – SOFTENING THE LIGHT
PART 4 – LIGHT. EXERCISE – THE LIGHTING ANGLE
PART 4 LIGHT – CONTRAST AND SHADOW FILL
NARRATIVE – A NARRATIVE PICTURE ESSAY
ILLUSTRATION EXERCISE – EVIDENCE OF ACTION
PART FIVE. EXERCISE – SYMBOLS
PART 5. EXERCISE – JUXTAPOSITION
PART 5. ILLUSTRATION EXERCISE – RAIN
ASSIGNMENT 1
ASSIGNMENT 2
ASSIGNMENT 3
ASSIGNMENT 4
ASSIGNMENT 5
INITIAL THOUGHTS – MAY 2014
STRUGGLING TO TAKE OFF!
20th June 2014
Update to Learning Log – June 19th 2014
WHAT MAKES A GOOD PHOTOGRAPH? OR A BAD ONE?
5 QUESTIONS TO ASK TO BECOME A BETTER PHOTOGRAPHER
THE PHOTOGRAPH BY GRAHAM CLARKE
THE PHOTOGRAPHER’S EYE – MICHAEL FREEMAN
TERROR, PHOTOGRAPHY AND PHOTOGRAPHERS’ BLOCK
PHOTOGRAPHY – A MYSTICAL MIX OF CURIOSITY AND PERSISTENCE.
Photography with Love and Dignity
BEHIND THE IMAGE – ANNA FOX AND NATASHA CARUANA
RECENT RESOURCE ACQUISITIONS
PHOTOGRAPHING MOVEMENT
SOME THOUGHTS ON LANDSCAPE PHOTOGRAPHS
Photography and the Law
PHOTOGRAPHING THE ECLIPSE
A REVIEW OF THE COURSE
STUDY COURSE – ARTES MUNDI, CARDIFF, 14.11.14
James Ravilious exhibition, Barnstaple
PHILIP CLARKE – PEMBROKESHIRE PHOTOGRAPHER
RICK SMOLLEN – A DAY IN THE LIFE SERIES / TRACKS, ETC.
STEVEN REED – LANDSCAPE AND WILDLIFE PHOTOGRAPHER
THOUGHTS ON ASSIGNMENT 1
C&N ASSIGNMENT 1
SELF ASSESSMENT OF ASSIGNMENT 1
FEEDBACK RECEIVED – ASSIGNMENT 1
ASSIGNMENT 1 – RESPONSE TO FORMATIVE FEEDBACK
PHOTOGRAPHING THE UNSEEN Preparatory work for Assignment 2
ASSIGNMENT 2 – PHOTOGRAPHING THE UNSEEN
REFLECTION ON C&N ASSIGNMENT 2
ASSIGNMENT 2 – RESPONSE TO FORMATIVE FEEDBACK
DAVID GARDNER PHOTOGRAPHY
Nothing Found
It seems we can’t find what you’re looking for. Perhaps searching can help.
Search for:
