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  • LEVEL 1 – CONTEXT & NARRATIVE
    • C & N EXERCISES
      • C & N PART 1 EXERCISES
        • EYEWITNESSES?
        • EXERCISE – STREET PHOTOGRAPHY
        • SECTARIAN MURDER
        • Sarah Pickering – Public Order
        • EXERCISE – THE MANIPULATED IMAGE
        • “THE REAL AND THE DIGITAL”
      • C & N PART 2 EXERCISES
        • THE DAD PROJECT / COUNTRY DOCTOR
        • THE VISUAL DEPICTION OF A POEM
        • PHOTOGRAPHING THE UNSEEN – EXERCISE
      • C & N PART 3 EXERCISES
        • PART 3 PUTTING YOURSELF IN THE PICTURE – MY DIARY
        • AUTOBIOGRAPHICAL SELF-PORTRAITURE
        • MASQUERADES
        • EXERCISE – MASQUERADES
      • C & N PART 4 EXERCISES
      • C & N PART 5 EXERCISES
    • C & N ASSIGNMENTS
      • ASSIGNMENT 1
        • THOUGHTS ON ASSIGNMENT 1
        • C&N ASSIGNMENT 1
        • SELF ASSESSMENT OF ASSIGNMENT 1
        • FEEDBACK RECEIVED – ASSIGNMENT 1
        • ASSIGNMENT 1 – RESPONSE TO FORMATIVE FEEDBACK
      • ASSIGNMENT 2
        • PHOTOGRAPHING THE UNSEEN Preparatory work for Assignment 2
        • ASSIGNMENT 2 – PHOTOGRAPHING THE UNSEEN
        • REFLECTION ON C&N ASSIGNMENT 2
        • ASSIGNMENT 2 – RESPONSE TO FORMATIVE FEEDBACK
    • C & N LEARNING LOG
      • My thoughts on setting out on the Context and Narrative Course
      • THE CAMERA NEVER LIES!
      • In an Alien World
      • STREET PHOTOGRAPHY – SOME THOUGHTS
      • WAYS OF SEEING – JOHN BERGER
      • TO LEAVE OR NOT TO LEAVE – THAT IS THE QUESTION
      • TO LEAVE OR NOT – FURTHER THOUGHTS
      • MACRO PHOTOGRAPHY
      • RELAY IN CONTEMPORARY PHOTOGRAPHIC PRACTICE
      • POSTMODERN NARRATIVE
      • THIS PHOTOGRAPH IS MY PROOF
      • MY LAST POST
      • MY LAST POST REVISITED
      • CHANGING PERCEPTIONS
      • THE IMPORTANCE OF NARRATIVE AND PERSONAL CONNECTION IN PHOTOGRAPHY
      • MOVING ON AND OUT
    • C & N STUDY COURSES
  • MY IMAGES
  • WILDLIFE IMAGES
  • ANIMALS IN CAPTIVITY
  • PHOTOGRAPHERS THAT INSPIRE ME
  • WILD PEMBROKESHIRE – JANUARY 2018
  • ITEMS FOR SALE
  • TAoP EXERCISES
  • TAoP ASSIGNMENTS
  • TAOP LEARNING LOG
  • TAoP STUDY COURSES
  • THINGS TO REMEMBER
  • PHOTOGRAPHERS
  • INTRODUCTION – FOCUS
  • TAoP PART 1 EXERCISES
  • TAoP PART 2 EXERCISES
  • TAoP PART 3 EXERCISES
  • TAoP PART 4 EXERCISES
  • TAoP PART 5 EXERCISES
  • THE FRAME – FITTING THE FRAME TO THE SUBJECT
  • OBJECT IN DIFFERENT POSITIONS IN THE FRAME
  • THE FRAME – A SEQUENCE OF COMPOSITION
  • FOCAL LENGTHS
  • DIVIDING THE FRAME
  • FRAME SHAPES AND SIZES
  • THE FRAME – CROPPING
  • PART 2 – ELEMENTS OF DESIGN PROJECT – POINTS
  • PART 2 ELEMENTS OF DESIGN PROJECT – LINES
  • PART TWO. PROJECT – USING LINES IN COMPOSITION
  • PART 2 PROJECT – SHAPES
  • PART 2 PROJECT – RHYTHM AND PATTERN
  • PART 3 CONTROL THE STRENGTH OF A COLOUR
  • PART 4 LIGHT – JUDGING COLOUR TEMPERATURE PART 1
  • PART 4 LIGHT – JUDGING COLOUR TEMPERATURE PART 2
  • PART 3 – EXERCISE PRIMARY AND SECONDARY COLOURS
  • PART 3 EXERCISE – COLOUR RELATIONSHIPS
  • PART 3. EXERCISE – COLOURS INTO TONES IN BLACK & WHITE
  • PART 4 – LIGHT Measuring Exposure
  • PART 4 LIGHT – VARIETY WITH A LOW SUN
  • PART 4 LIGHT – EXERCISE CLOUDY WEATHER AND RAIN
  • PART 4 LIGHT – OUTDOORS AT NIGHT
  • PART 4 – LIGHT. EXERCISE – SOFTENING THE LIGHT
  • PART 4 – LIGHT. EXERCISE – THE LIGHTING ANGLE
  • PART 4 LIGHT – CONTRAST AND SHADOW FILL
  • NARRATIVE – A NARRATIVE PICTURE ESSAY
  • ILLUSTRATION EXERCISE – EVIDENCE OF ACTION
  • PART FIVE. EXERCISE – SYMBOLS
  • PART 5. EXERCISE – JUXTAPOSITION
  • PART 5. ILLUSTRATION EXERCISE – RAIN
  • ASSIGNMENT 1
  • ASSIGNMENT 2
  • ASSIGNMENT 3
  • ASSIGNMENT 4
  • ASSIGNMENT 5
  • INITIAL THOUGHTS – MAY 2014
  • STRUGGLING TO TAKE OFF!
  • 20th June 2014
  • Update to Learning Log – June 19th 2014
  • WHAT MAKES A GOOD PHOTOGRAPH? OR A BAD ONE?
  • 5 QUESTIONS TO ASK TO BECOME A BETTER PHOTOGRAPHER
  • THE PHOTOGRAPH BY GRAHAM CLARKE
  • THE PHOTOGRAPHER’S EYE – MICHAEL FREEMAN
  • TERROR, PHOTOGRAPHY AND PHOTOGRAPHERS’ BLOCK
  • PHOTOGRAPHY – A MYSTICAL MIX OF CURIOSITY AND PERSISTENCE.
  • Photography with Love and Dignity
  • BEHIND THE IMAGE – ANNA FOX AND NATASHA CARUANA
  • RECENT RESOURCE ACQUISITIONS
  • PHOTOGRAPHING MOVEMENT
  • SOME THOUGHTS ON LANDSCAPE PHOTOGRAPHS
  • Photography and the Law
  • PHOTOGRAPHING THE ECLIPSE
  • A REVIEW OF THE COURSE
  • STUDY COURSE – ARTES MUNDI, CARDIFF, 14.11.14
  • James Ravilious exhibition, Barnstaple
  • PHILIP CLARKE – PEMBROKESHIRE PHOTOGRAPHER
  • RICK SMOLLEN – A DAY IN THE LIFE SERIES / TRACKS, ETC.
  • STEVEN REED – LANDSCAPE AND WILDLIFE PHOTOGRAPHER

DAVID GARDNER PHOTOGRAPHY

Rebecca Norris Webb

STREET PHOTOGRAPHY – SOME THOUGHTS

The course text suggests that I carry out some research into contemporary street photography.  Street photography is a branch of photography that I enjoy both to look at and to participate in so I have looked at a number of artists’ work before.  As with all forms of art there are some that speak to me […]Read Post ›

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