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  • 5 QUESTIONS TO ASK TO BECOME A BETTER PHOTOGRAPHER
  • THE PHOTOGRAPH BY GRAHAM CLARKE
  • THE PHOTOGRAPHER’S EYE – MICHAEL FREEMAN
  • TERROR, PHOTOGRAPHY AND PHOTOGRAPHERS’ BLOCK
  • PHOTOGRAPHY – A MYSTICAL MIX OF CURIOSITY AND PERSISTENCE.
  • Photography with Love and Dignity
  • BEHIND THE IMAGE – ANNA FOX AND NATASHA CARUANA
  • RECENT RESOURCE ACQUISITIONS
  • PHOTOGRAPHING MOVEMENT
  • SOME THOUGHTS ON LANDSCAPE PHOTOGRAPHS
  • Photography and the Law
  • PHOTOGRAPHING THE ECLIPSE
  • A REVIEW OF THE COURSE
  • TAoP STUDY COURSES
    • STUDY COURSE – ARTES MUNDI, CARDIFF, 14.11.14
    • James Ravilious exhibition, Barnstaple
  • THINGS TO REMEMBER
  • PHOTOGRAPHERS
    • PHILIP CLARKE – PEMBROKESHIRE PHOTOGRAPHER
    • RICK SMOLLEN – A DAY IN THE LIFE SERIES / TRACKS, ETC.
    • STEVEN REED – LANDSCAPE AND WILDLIFE PHOTOGRAPHER
  • LEVEL 1 – CONTEXT & NARRATIVE
    • C & N EXERCISES
      • EYEWITNESSES?
      • SECTARIAN MURDER
      • THE VISUAL DEPICTION OF A POEM
      • PHOTOGRAPHING THE UNSEEN – EXERCISE
      • C & N PART 3 EXERCISES
        • PART 3 PUTTING YOURSELF IN THE PICTURE – MY DIARY
        • AUTOBIOGRAPHICAL SELF-PORTRAITURE
        • MASQUERADES
        • EXERCISE – MASQUERADES
      • C & N PART 4 EXERCISES
      • C & N PART 5 EXERCISES
    • C & N ASSIGNMENTS
      • ASSIGNMENT 1
        • THOUGHTS ON ASSIGNMENT 1
        • C&N ASSIGNMENT 1
        • SELF ASSESSMENT OF ASSIGNMENT 1
        • ASSIGNMENT 1 – RESPONSE TO FORMATIVE FEEDBACK
      • ASSIGNMENT 2
        • PHOTOGRAPHING THE UNSEEN Preparatory work for Assignment 2
        • ASSIGNMENT 2 – PHOTOGRAPHING THE UNSEEN
        • REFLECTION ON C&N ASSIGNMENT 2
        • ASSIGNMENT 2 – RESPONSE TO FORMATIVE FEEDBACK
    • C & N LEARNING LOG
      • My thoughts on setting out on the Context and Narrative Course
      • THE CAMERA NEVER LIES!
      • In an Alien World
      • WAYS OF SEEING – JOHN BERGER
      • TO LEAVE OR NOT TO LEAVE – THAT IS THE QUESTION
      • TO LEAVE OR NOT – FURTHER THOUGHTS
      • MACRO PHOTOGRAPHY
      • POSTMODERN NARRATIVE
      • THIS PHOTOGRAPH IS MY PROOF
      • MY LAST POST
      • MY LAST POST REVISITED
      • CHANGING PERCEPTIONS
      • THE IMPORTANCE OF NARRATIVE AND PERSONAL CONNECTION IN PHOTOGRAPHY
      • MOVING ON AND OUT
    • C & N STUDY COURSES
  • MY IMAGES
  • WILDLIFE IMAGES
  • ANIMALS IN CAPTIVITY
  • PHOTOGRAPHERS THAT INSPIRE ME
  • WILD PEMBROKESHIRE – JANUARY 2018
  • ITEMS FOR SALE

DAVID GARDNER PHOTOGRAPHY

LEARNING LOG

THE IMPORTANCE OF NARRATIVE AND PERSONAL CONNECTION IN PHOTOGRAPHY

Two interesting points have emerged from articles I have read this morning that I will quickly make a note of here for future reference and contemplation. The first entitled ‘Why is narrative such a difficult concept for young photographers to master?’  was written by Grant Scott and published on the United Nations of Photography website.  In […]Read Post ›

A REVIEW OF THE COURSE

I have now completed the course ‘The Art of Photography‘ and I am about to submit the results of my work for Formal Assessment. It seems an appropriate time to briefly look back at my experience of the course and to look forward to what might follow. My overall impression on reflection is of a […]Read Post ›

WHAT MAKES A GOOD PHOTOGRAPH? OR A BAD ONE?

WHAT MAKES A GOOD PHOTOGRAPH?  OR A BAD ONE? For some time, but particularly since starting this course, I have worried about the fact that a lot of what the cognoscenti consider to be exemplary and innovative photographs I find uninteresting, lifeless and/or  unattractive no matter how long I look at them or how much […]Read Post ›

PHOTOGRAPHY – A MYSTICAL MIX OF CURIOSITY AND PERSISTENCE.

PERSISTENCE AS A KEY TO TAKING INCREDIBLE PHOTOGRAPHS My attention was grabbed by a number of aspects of the short article (copied below) by Jake Rutherford in a recent internet posting by National Geographic. Firstly, his use of post-it notes to highlight images in books is one that I will be adopting more frequently as a reminder and […]Read Post ›

PHOTOGRAPHING THE ECLIPSE

PHOTOGRAPHING THE ECLIPSE It was an event I didn’t want to miss.  Photographing an eclipse of the sun in one’s own locality is not an opportunity that comes around very often so I wanted to see if I could make the most of it.  I knew that I wanted to try to capture the atmosphere of […]Read Post ›

PHILIP CLARKE – PEMBROKESHIRE PHOTOGRAPHER

EVERYTHING UNDER THE PEMBROKESHIRE SKIES  –  A PHOTOGRAPHER’S LIFE On 18th November, I attended a talk at Oriel y Parc in St Davids by Pembrokeshire photographer, Philip Clarke.  I had not been aware of Philip’s work before but it was clear that he had quite a reputation in some circles.  The reason for my lack […]Read Post ›

BEHIND THE IMAGE – ANNA FOX AND NATASHA CARUANA

BEHIND THE IMAGE – RESEARCH IN PHOTOGRAPHY ‘Behind The Image – Research in Photography’ by Anna Fox and Natasha Caruana is No. 3 in the Basics – Creative Photography series published by AVA Publishing  (ISBN 978-2-940411-66-500.  It is one of the ‘Essential Reading’ books on my course and was recommended as being my next read […]Read Post ›

THE PHOTOGRAPHER’S EYE – MICHAEL FREEMAN

THE PHOTOGRAPHER’S EYE – MICHAEL FREEMAN I have just completed reading ‘The Photographer’s Eye’ by Michael Freeman published by ILEX Press (ISBN -10   1905814-04-6   ISBN – 13   978-1905814-04–6, a book that I have enjoyed reading and can recommend to anyone, photographer or not.  It is easily accessible, logically and clearly set out […]Read Post ›

TERROR, PHOTOGRAPHY AND PHOTOGRAPHERS’ BLOCK

TERROR, PHOTOGRAPHY AND PHOTOGRAPHER’ BLOCK Three things have happened recently that have helped to focus my mind on where I am with the course.  Firstly, I have received feedback on my 2nd Assignment from my tutor and, whilst it was ‘passable’ it was disappointing although probably a fair reflection of where I am.  Secondly, this […]Read Post ›

THE PHOTOGRAPH BY GRAHAM CLARKE

‘THE PHOTOGRAPH’  Graham Clarke, Oxford University Press I have recently finished reading Graham Clarke’s book ‘The Photograph’ published by Oxford University Press as part of their Oxford History of Art series  (ISBN 978-0-19-284200-8 ).  Graham Clarke is Reader  in Literary and Image Studies at the University of Kent and hence has a broad and deep interest and […]Read Post ›

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DAVID GARDNER PHOTOGRAPHY
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